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Sparkle Girl Audio Podcast PropagandaMusic For Teeth! |
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Episode 17 - Sparkle Girl Soundtrack to "The Courtship of the Sun and Moon"
June 17, 2009 05:01 PM PDT
Our first soundtrack piece commissioned by friends in California. A collection of films from French film pioneer Georges Melies with soundtracks provided by a number of experimental musicians. This piece is meant to accompany the short film, "The Courtship of the Sun and Moon". Episode 20 - Fuck Your Crust Of Bread
June 15, 2009 02:58 AM PDT
Demo recorded within one hour before load in at our noise set at the Comet. If you have to check your gear why not record a track. Then we liked how it came out. Episode 19 - Sparkle Girl "Brothers and Sisters" Barnhaus 12.28.08
June 12, 2009 05:08 PM PDT
just before the turn of the year we had the chance to play Chickenhed Church. This service was performed in the comforting atmosphere of the Barnhaus. Special thanks to Abe and Octal for having us play and much thanks to Joy von Spain who shouts "you rock" at the end. Episode 23 - I Hear Puppets
June 07, 2009 12:11 AM PDT
Unused track for a Bosnian noise compilation. A remix from The Grundig Experiment. Episode 22 - Sparkle Girl Live Mono 14th B-day Finale
June 06, 2009 10:23 PM PDT
September 10, 2006 04:55 PM PDT
We love Penetration Camp. Ever since some mystery person person hurled a cd of theirs into Sparkle Girl's yard. One of the best noise acts working in the NW today Enjoy,
September 08, 2006 12:02 AM PDT
Third in our series of live recordings from the second Splinter Squid Affair at the 414 House. We were outside at the BBQ for Chad's set but lucky for the one and only Mr. Stan Reed of PsychForm Records picked up the slack and hit the record the button for us. thanks to Chad for letting us post this little gem and we hope you like it as much as we do. Enjoy,
September 07, 2006 06:15 PM PDT
Welcome to the second installment of of Sparkle Girl recordings from the Splinter Squid Affair #2. Today is the fantastic free jazz duo Walrus Machine. Powered by the squalling sax of James and the fluid percussion of Lyle. Walrus Machine played a great set and showed the house that free jazz and noise can often have a lot in common. As with Du Hexen Hase we will be adding more info to this episode in the upcoming week. Following our exhaustion from documenting the Wooden Octopus Pfestival STARTING TONIGHT!!!! Thanks to James and Lyle and we hope you like it. Enjoy,
September 04, 2006 12:43 AM PDT
more info to come Du Hexen Hase - captured live to walkman by Sparkle Girl lotus - choral dub remix
May 21, 2006 02:43 AM PDT
march of the republic
May 13, 2006 12:55 PM PDT
The Orchid Garden
March 30, 2006 04:22 AM PST
While the exact date is unknown we can recall that is was 1998, one member had received his last unemployment check and fittingly enough bought a bass. Etimates hazy but we're guessing summer/fall 1998. We LOVE this song for several reasons:
Dedicated to Lisa E. and Kim D.
Thanks for listening, send in those sounds world! sparklegirl@podomatic.com
March 30, 2006 03:38 AM PST
One of our favorite tracks from our cdr Asymptote, SME 001. Copies still available and in stores in Seatle, San Francisco and Glasgow. This is a special track to us not only cause it made us laugh our asses off but also the first review we received from the always honest Alvarious B. said it was his favorite track as well. Thanks for listening, send those sounds to sparklegirl@podomatic.com
March 29, 2006 03:48 AM PST
Recorded when one member of Sparkle Girl and dear wife and kitties suffered a flood. Unlike FEMA flood damage was contained quickly and Sparkle Girl rapidly transported equipment and rescued all important items. This is the only recording Sparkle Girl ever made while in this temporary studio space. Notable that one member could not hear what was actually being played. Improvisation live to 4 track Thanks for listening, send some sounds!
March 27, 2006 09:16 PM PST
One member of Sparkle Girl is a huge Chris Rock fan with CB4 as an underrated classic of the small but great genre of hiphop movies. Please forgive us Chris for this remix but we hope people get a kick out out of it. Thanks as always for listening,
March 17, 2006 08:20 PM PST
Sparkle Girl Memo: This Sparkle Girl performance was recorded live to Walkman at the Seattle Memorial Concert for Derek Bailey. We learned of Derek's passing on New Years Eve from a fellow guest at the yearly Sun City Girls New Years Party. Davey mentioned organizing a memorial show at the beloved Re-Bar on his monthly La Vide night. Generous to a fault and appreciative of Sparkle Girl party favors Davey had us join a stellar lineup of Seattle (and by way of Phoenix) musicians including:
Sparkle Girl was and continues to be, grateful to writer/musician David Keenan for the wonderful poem he wrote after meeting and interviewing Derek in Barcelona and allowed us to open the show with it. By all means check out these othere great artists and the fantastic music available at volcanictongue.com, Mr. Keenan's awe inducing distribution site with clear concise reviews and a mix to please any fan of "other" music. We hope you enjoy the show....
Welcome!
March 17, 2006 03:29 PM PST
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About SparkleSparkle Girl is a guerilla sound-art project founded in 1994 by Kurt D and Jim E. A “garbage noise duet� and “cultural esoterrorist auditory affinity group�, Sparkle Girl is a decidedly non-academic, anti-hegemonic, sonic circus of resentment. Sparkle Girl makes few concessions to taste, talent, quality or other such mystical abstractions. In the spirit of play, Sparkle Girl is engaged in the cultural production of sound collages, field recordings, free improvisations and loose compositions. Our work is sonic, visual, literary and propagandistic in nature. Sparkle Girl has produced and distributed over 6,000 handmade recordings in cassette, CD and mp3 formats. The majority of these works have been handed out free at public events such as protests, concerts and live actions. Many have been left on public payphones, toilets and buses to be randomly discovered. Some have been placed in record store bins with labels that say “free�. Many of our cassettes have been recorded over corporate music releases, which were then re-labeled with handcrafted collages. Another source of raw material consisted of hundreds of dumpster dived tapes from AEI music. Their cultural detritus was expropriated and recycled by Sparkle Girl, pressed into service as a tabula rasa for our carnival against boredom. Sparkle Girl agents have distributed these objects in cities around the United States and Canada. Works have also been distributed via the Internet and through trade with other sound artists. Our work as Sparkle Girl represents an assimilation and assortment of our daily experience with sound, media and our own nervous systems. Sparkle Girl utilizes a wide assortment of tactics and tools in her sonic architecture; Walkmans, samplers, bass, guitar (heavily treated), everyday household objects such as key chains and children’s toys, contact microphones, turntables, megaphones and snare drums. Our work with tapes and found sounds carries over from our field recording activities and our interest in broadcast media as sites of cultural contestation. The sonic detritus of our lived experience is captured, deconstructed and re-organized using briccolage and cut-up methodologies. Snippets of news programs, rainstorms, opera, insects, oceans and answering machines rise and fade amidst classroom lectures, radio static and violent demonstrations. Nothing is off limits. We have even written a “song� now and again. The sound of Sparkle Girl runs the gamut from easy listening to bizarre transgressive psychodrama. enjoy the sound of egocentric nihilistic decadence, the uncontained howl of irresponsible hermeneutic surrealism. Bypassing traditional means of music distribution we prefer to give away releases at rallies, protests, performances, civil disturbances not to mention telephone booths and restrooms. However time and economics and the capitalist system have also led us into the realm of retail sales at affordable rates from such fine stores as Wall Of Sound (Seattle), Enterruption and the Electric Heavyland (Seattle), Aquarius Records (San Francisco) and in Europe at www.volcanic tongue.com Specializing in avant garde sound improvisation Sparkle Girl utilizes whatever tools may be at hand; heavily treated traditional instruments, samplers, voice, text, bullhorn, keyboards, computers, toys, cooking utensils, tapes and found sounds and field recordings. As an outgrowth of our field recording pursuits we also document as much as possible the underground culture around us. We believe in the documentation and archiving of events that might otherwise be forgotten. These projects usually take the form of limited run handmade cdr editions that are presented to the artists to distribute as they see fit. In addition to our own work we are just as proud to have documented and preserved performances by the following: The Infernal Noise Brigade, Climax Golden Twins, Wolf Eyes, Rob Millis, Greasy, Sublime Frequencies Cabal, Sea Donkeys, The Black Sun, Monster Defiance Headquarters, Animal Collective, Girth, Grey, Dead Machines, Withdrawl Method, Konono No1, Panicsville, Metalux, Rubber O Cement, Tarantism, Anti-Ear, tarentel, Sugar Skulls, Na, Cerberus Shoal, Paul Flaherty & Chris Corsano, Prurient, Sun City Girls, Earth, Emil Beaulieau as well as many others, see the blog post for Sparkle Girl Archives for more info on the ever expanding list Favorite LinksContact MeSubscribe to this Podcast
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